Review: Slick spy thrills in a film that can be enjoyed by all

The Man From Uncle
The Man From Uncle
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Matt Adcock reviews stylish spy thriller The Man From U.N.C.L.E.

Twitter: @Cleric20

Who do you turn to when a rogue nuclear warhead looks like falling in to the wrong hands? Bond? Borne?

Maybe, but when it’s the 1960s and Austin Powers is nowhere to be found, you’ll want to try Napoleon Solo (Henry ‘Man of Steel’ Cavill), the man from United Network Command for Law and Enforcement.

With his big screen makeover of The Man From U.N.C.L.E., Guy Ritchie takes a break from his Sherlock Holmes films and delivers a slick, stylish and hugely enjoyable take on the spy genre. Everything about this production sizzles with cool – largely thanks to the perfect casting of the smooth US thief turned spy in Cavill and his unwilling KGB operative partner, Illya Kuryakin (Armie Hammer). The way these two bounce off each other is splendid to behold.

And while this might be described as a rip-roaring ‘boys own’ adventure, the women of the piece are great too. Alicia Vikander follows up her superb lead in Ex Machina with a movie-stealing turn as Gabby Teller, a woman whose father is a Nazi scientist working for the US government, but now missing. Plus there’s an impressive shapely baddie at work in the form of Elizabeth Debicki, who you might have spotted in The Great Gatsby.

The plot cracks, aided by a sparkling script that holds a good balance of being genuinely funny but never letting the spy antics lose their menacing edge. It is entirely refreshing to see a film that packs credible peril, action and even the obligatory ‘hero gets tortured’ scenes without being overly nasty or foul- mouthed (which is quite something when remembering Ritchie’s early work such as Lock, Stock and Two Smoking Barrels).

The Man From U.N.C.L.E. is a film you can watch with your parents and your teens and it should please across the board. The action set pieces are handled brilliantly. There’s a joy in seeing the archaic 1960s cars, weapons and out-dated tech bringing such pulse-pounding thrills – great for both those who remember that time and for a new generation. Throw dodgy uncle Rudi (Sylvester Groth) and proper English Spymaster Waverly (Hugh Grant – really not having to stretch his skills) and you’ve all the ingredients for a feel good spy-em-up of the highest order. Here’s hoping that the well-set-up sequel gets made soon.

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